Turkish literature

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Дата: Wednesday, 08.07.2009, 14:28 | Сообщение # 1

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Turkish literature

Namık Kemal was a prominent Turkish poet, novelist, playwright and journalist of the late Ottoman period

Turkish literature is the collection of written and oral texts composed in the Turkish language, either in its Ottoman form or in less exclusively literary forms, such as that spoken in the Republic of Turkey today. Traditional examples for Turkish folk literature include the stories of Karagöz and Hacivat, Keloğlan, and Nasreddin Hoca, as well as the works of folk poets such as Yunus Emre and Aşık Veysel. The Book of Dede Korkut and the Epic of Köroğlu have been the main elements of the Turkish epic tradition in Anatolia for several centuries.

Ferit Orhan Pamuk

The two primary streams of Ottoman literature were poetry and prose. Of the two, the Ottoman Divan poetry, a highly ritualized and symbolic art form, was the dominant stream. The vast majority of Divan poetry was lyric in nature: either gazels or kasîdes. There were, however, other common genres, most particularly the mesnevî, a kind of verse romance and thus a variety of narrative poetry. The tradition of Ottoman prose was exclusively non-fictional in nature; as the fiction tradition was limited to narrative poetry.
The Tanzimat reforms of 1839–1876 brought changes to the language of Ottoman written literature, and introduced previously unknown Western genres, primarily the novel and the short story. Many of the writers in the Tanzimat period wrote in several different genres simultaneously: for instance, the poet Nâmık Kemal also wrote the important 1876 novel İntibâh (Awakening), while the journalist Şinasi is noted for writing, in 1860, the first modern Turkish play, the one-act comedy "Şair Evlenmesi" (The Poet's Marriage). Most of the roots of modern Turkish literature were formed between the years 1896 and 1923. Broadly, there were three primary literary movements during this period: the Edebiyyât-ı Cedîde (New Literature) movement; the Fecr-i Âtî (Dawn of the Future) movement; and the Millî Edebiyyât (National Literature) movement. The Edebiyyât-ı Cedîde (New Literature) movement began with the founding in 1891 of the magazine Servet-i Fünûn (Scientific Wealth), which was largely devoted to progress (both intellectual and scientific) along the Western model. Accordingly, the magazine's literary ventures, under the direction of the poet Tevfik Fikret, were geared towards creating a Western-style "high art" in Turkey.
Stylistically, the early prose of the Republic of Turkey was essentially a continuation of the National Literature movement, with Realism and Naturalism predominating. This trend culminated in the 1932 novel Yaban (The Wilds) by Yakup Kadri Karaosmanoğlu. This novel can be seen as the precursor to two trends that would soon develop: social realism, and the "village novel" (köy romanı). The social realist movement was led by the short-story writer Sait Faik Abasıyanık. The major writers of the "village novel" tradition were Kemal Tahir, Orhan Kemal, and Yaşar Kemal. In a very different tradition, but evincing a similar strong political viewpoint, was the satirical short-story writer Aziz Nesin. Other important novelists of this period were Ahmet Hamdi Tanpınar and Oğuz Atay. Orhan Pamuk, winner of the 2006 Nobel Prize in Literature, is among the innovative novelists, whose works show the influence of postmodernism and magic realism. Important poets of the Republic of Turkey period include Ahmet Haşim, Yahya Kemal Beyatlı and Nazım Hikmet (who introduced the free verse style). Orhan Veli Kanık, Melih Cevdet Anday and Oktay Rifat led the Garip movement; while Turgut Uyar, Edip Cansever and Cemal Süreya led the İkinci Yeni movement. Outside of the Garip and İkinci Yeni movements, a number of other significant poets such as Fazıl Hüsnü Dağlarca, Behçet Necatigil and Can Yücel also flourished.

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Дата: Wednesday, 08.07.2009, 14:46 | Сообщение # 2

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Pamuk while writing.

Orhan Pamuk started writing regularly in 1974.[12] His first novel, Karanlık ve Işık (Darkness and Light) was a co-winner of the 1979 Milliyet Press Novel Contest (Mehmet Eroğlu (* tr) was the other winner). This novel was published with the title Cevdet Bey ve Oğulları (Mr. Cevdet and His Sons) in 1982, and won the Orhan Kemal Novel Prize in 1983. It tells the story of three generations of a wealthy Istanbul family living in Nişantaşı, the district of Istanbul where Pamuk grew up.

Pamuk won a number of critical prizes for his early work, including the 1984 Madarali Novel Prize for his second novel Sessiz Ev (The Silent House) and the 1991 Prix de la Découverte Européenne for the French translation of this novel. His historical novel Beyaz Kale (The White Castle), published in Turkish in 1985, won the 1990 Independent Award for Foreign Fiction and extended his reputation abroad. The New York Times Book Review stated, "A new star has risen in the east—Orhan Pamuk." He started experimenting with postmodern techniques in his novels, a change from the strict naturalism of his early works.

Popular success took a bit longer to come to Pamuk, but his 1990 novel Kara Kitap (The Black Book) became one of the most controversial and popular readings in Turkish literature, due to its complexity and richness. In 1992, he wrote the screenplay for the movie Gizli Yüz (Secret Face), based on Kara Kitap and directed by a prominent Turkish director, Ömer Kavur. Pamuk's fourth novel Yeni Hayat (New Life) caused a sensation in Turkey upon its 1995 publication and became the fastest-selling book in Turkish history. By this time, Pamuk had also become a high-profile figure in Turkey, due to his support for Kurdish political rights. In 1995, Pamuk was among a group of authors tried for writing essays that criticized Turkey's treatment of the Kurds. In 1999, Pamuk published his book of essays Öteki Renkler (Other Colors).

Pamuk's international reputation continued to increase when he published Benim Adım Kırmızı (My Name is Red) in 2000. The novel blends mystery, romance, and philosophical puzzles in a setting of 16th century Istanbul. It opens a window into the reign of Ottoman Sultan Murat III in nine snowy winter days of 1591, inviting the reader to experience the tension between East and West from a breathlessly urgent perspective. My Name Is Red has been translated into 24 languages and won international literature's most lucrative prize, the IMPAC Dublin Award in 2003.

Asked the question "What impact did winning the IMPAC award (currently $127,000) have on your life and your work?," Pamuk replied:

Nothing changed in my life since I work all the time. I've spent 30 years writing fiction. For the first 10 years, I worried about money and no one asked how much money I made. The second decade I spent money and no one was asking about that. And I've spent the last 10 years with everyone expecting to hear how I spend the money, which I will not do.

Pamuk's next novel was Kar in 2002 (English translation, Snow, 2004), which takes place in the border city of Kars and explores the conflict between Islamism and Westernism in modern Turkey. The New York Times listed Snow as one of its Ten Best Books of 2004. He also published a memoir/travelogue İstanbul—Hatıralar ve Şehir in 2003 (English version, Istanbul—Memories and the City, 2005). Pamuk's Other Colours - a collection of non-fiction and a story - was published in the UK in September 2007. His next novel is titled The Museum of Innocence.

Asked how personal his book Istanbul: Memories and the City was, Pamuk replied:

I thought I would write Memories and the City in six months, but it took me one year to complete. And I was working twelve hours a day, just reading and working. My life, because of so many things, was in a crisis; I don’t want to go into those details: divorce, father dying, professional problems, problems with this, problems with that, everything was bad. I thought if I were to be weak I would have a depression. But every day I would wake up and have a cold shower and sit down and remember and write, always paying attention to the beauty of the book. Honestly, I may have hurt my mother, my family. My father was dead, but my mother is still alive. But I can’t care about that; I must care about the beauty of the book.

In 2005 Orhan Pamuk received the €25,000 Peace Prize of the German Book Trade for his literary work, in which "Europe and Islamic Turkey find a place for one another." The award presentation was held at Paul's Church, Frankfurt.

Pamuk's books are characterized by a confusion or loss of identity brought on in part by the conflict between Western and Eastern values. They are often disturbing or unsettling, but include complex, intriguing plots and characters of great depth. His works are also redolent with discussion of and fascination with the creative arts, such as literature and painting. Pamuk's work often touches on the deep-rooted tensions between East and West and tradition and modernism/secularism.